Designing
Between Worlds

Designing
Between
Worlds

Designing
Between Worlds

Abstract

In an increasingly globalized world, designers with hybrid identities navigate complex cultural landscapes shaped by displacement, continuity, and adaptation. This thesis investigates how hybrid identities drive design practices that utilize culturally significant materials—such as Armenian tuff stone and the pomegranate—to express and reclaim layered identities. Drawing from memory, heritage, and symbolism, these materials serve as physical connections to culture, allowing designers to reinterpret tradition in ways that feel authentic and contemporary. Through a series of design explorations, this research examines how these materials embody resilience, continuity, and belonging, fostering a dialogue between heritage and modernity. My Thesis aims to demonstrate the role of design as a tool for cultural expression and continuity, offering insights into how hybrid identities shape a design practice that honors both heritage and transformation in an era marked by displacement.

The Pomegranate

A single pomegranate holds centuries of history—its deep red skin, its countless seeds, its place in Armenian culture. This project transforms pomegranate skin into material, exploring its potential through tradition. Through design and experimentation, it takes on a new form, carrying heritage forward in unexpected ways.

This project challenges the idea that cultural symbols must remain static. By transforming pomegranate skin into material, it extends the life of tradition beyond representation, turning remnants into resources. This is not just about preservation—it is about innovation, sustainability, and the ongoing reimagining of heritage through design.

The Process

The collected pomegranate skin is shaved down into thin individual pieces, these get carefully arranged between two drying board and dried under compression. Once dry they are moved into a laser cutter where they are cut into their final shape before they get assembled like a mosaic and glued together to form the final material.

Collected as waste byproducts, the pomegranate skins are carefully shaved into thin, delicate pieces. These are meticulously arranged between two drying boards and pressed as they dry, ensuring a smooth and even finish. Once dried, the pieces are precisely cut into their final shapes using a laser cutter. They are then thoughtfully assembled like a mosaic and bonded together, forming the final material.

Ongoing Work

This work is still unfolding—an ongoing exploration of material, culture, and design. As new ideas take shape, the process continues to evolve, uncovering new possibilities along the way. Updates will follow as the journey moves forward, shaping what comes next.

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